For me, representing an artist is personal. It’s built on trust, mutual respect, and the belief that we’re in it together..not just for the good moments, but for the long game.

I don’t believe in having a long list of names for the sake of it. I’d rather work closely with a small number of artists and do it properly, giving each one the time, attention, and energy they deserve.

Quality over quantity, always.

My job isn’t to tell an artist what to do, it’s to protect the space around their work so they can focus on what they do best: creating. I handle everything that sits between the studio and the world: the logistics, the negotiations, the relationships, the emails that never seem to end. All the parts that make the art world turn, while keeping the artist's voice at the centre of it all.

That includes:

- Negotiating sales and commissions, so you're never underselling yourself, or having those awkward money conversations alone

- Building and managing collector relationships, finding the right homes for your work, with people who genuinely connect with it

- Gallery and exhibition opportunities, opening doors and navigating the industry on your behalf

- Day-to-day communications, so your inbox doesn't become the reason you can't make art

- Pricing strategy, protecting the integrity of your work and your long-term market value

I'm here because I believe in what you make., and because the art world works better when the people in it are supported properly.